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In the act was revised to require the words “Made in” to also be used. Finally, in the act was revised yet again to require that all country names occurred in English. Thus an object labeled simply “Bavaria” of “Nippon” would likely but not absolutely be from some time between and It seems likely that any item marked “Made in Japan” was probably made or imported after Prior to , they might have been labeled “Made in Nippon. The essential point of all this is that such designations on a violin label, for example, clearly indicate an instrument manufactured for export to the U. If you have a violin with a label nearly identical to the Stradivari or other labels shown above, but it says “Made in Germany,” it is de facto NOT an authentic Stradivari, but a factory made copy. You don’t need an appraiser to tell you this. Varnish You can tell a lot about the quality of a violin by looking at the varnish. Fine old violins use an oil-based varnish that technically never really dries.

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Mittenwald lies in the beautiful sheltered valley of the Isar, framed on the south and west by forest-covered hills, above which rears the peak of the Wetterstein. One of the most charming towns in the Bavarian Alps, Mittenwald is popular for its magnificent old houses with their unique frescoed exteriors, as well as the Baroque Parish Church with its painted tower. Built in , it’s famous for its statue of Mathias Klotz, founder of the town’s violin-making industry who died here in

Dating Old Violins. Fine violins were also made in England, France and Germany. Value: As everyone knows, the instruments made in Cremona fetch fabulous prices at auction. Everyone who finds an old violin thinks that he has a fortune in his hands because it generally has a Stradivarius label in it. West Virginia Association of Museums P.

For years, German luthiers supplied musicians with serviceable and affordable stringed instruments. Yet their story remains largely unknown. I know instrinctively what lies inside. After 25 years, I’ve seen thousands of old “German” violins that have usually been in the same family for generations. Each one has its own story, excitedly told by the owner. Inside, the instruments often have some sort of facsimile label of one of the great Italian masters; Stradivari, Guarneri, Amati, or perhaps the Tyrolean Jacob Stainer.

These violins always have a great deal in common and are among the millions of generally inexpensive student violins made for the vast, mostly American market at a time before radio and television, motion pictures, or even recordings, when people had to entertain themselves. If you’re a string player who started your studies more than about twenty or thirty years ago, the chances are good that you began your musical career on one of thes instruments.

I know I did. In fact, several generations of musicians learned to play violin and continue to play on these instruments. In those days, the violin was the most popular form of musical entertainment, next to the piano. To meet the demand, a thriving industry developed in a remote area of eastern Germany on the Czech border, a region then known as Western Bohemia. The center of this industry was the town of Markneukirchen in the state of Saxony.

Holocaust victims’ ‘Violins of Hope’ to resound in Berlin Philharmonic

The lute is of interest in the context of early musical instruments, but also from a broader cultural standpoint: Descriptions of the Mest lute have been published in handbooks, but sometimes with inaccurate information and mostly in very condensed form. It will return to the rebuilt Chamber of Curiosities in the new library.

By the late s the demand for German-made products had dropped in large part due to the rise of Nazism. This little area of Saxony didn’t see much of the war or the Allied bombings, and a few of the older makers stayed and probably continued to make violins with .

October 26, The violin making trade in Bohemia and Germany became very complicated and muddled immediately following WWll. As punishment German makers had to label their violins “made in Germany”. The Mittenwald makers struggled for their living and sent their violins to Bohemia Czech where they were labelled “made in Bohemia”. Once they regained their footing the Bohemians sent their violins to Mittenwald where they were labelled “made in Germany”.

If you don’t have th maker’s name you don’t know what you’ve got. Then many of the Suddetendeutschen germans in Bohemia were resettled to Bubenreuth. The bow firm of Roderich Paesold is an example. Out of all this german makers and instruments suffered. And their market value is still unfortunately underrated. But their craftmanship and material has always been excellent. People will pay 10 times as much for a box made in Italy because spaghetti is more interesting than sauerkraut, to put it crudely.

And as long as I’m on this line, I’d put up a contemporary violin by Reinhold Schnabl against any violin coming out of Italy today.

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Violins While experts debate the origin of the violin, it was most likely derived from an Arabic instrument called the rabab which dates to the 9th century A. This instrument was made from a gourd with a long neck. It had two silk strings which were attached to an endpin and strung to pegs that were used to tune the strings in fifths. The rabab was held in a person’s lap and played with a bow. After the Crusades, similar instruments appeared in Europe, including the rebec in Spain and the vielle in France.

The violin as we know it originated in Italy in the s.

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Certainly they are considerably less expensive in general than their counterparts from these two countries. Is this justified though? This hierarchy is to some extent a reflection of the collectability of violins from these respective countries and the esteem that top class musicians hold for them, but it is also very much an affect of the degree of mass production of cheap instruments in those countries. Italy had very little of this. Meanwhile it happened to a degree in France and this pulls down the price that will be paid for French violins, but nowhere to the extent that it does with German violins where production of violins took place on a near industrial scale, flooding the market with cheap instruments and threatening the livelihood of quality craftsman throughout Europe as far back as the days of Antonio Stradivari.

In fact Antonio Stradivari was one of the few violinmakers in Cremona even in its golden age of violinmaking who could consistently command such prices that he did not have to lower the quality of his materials or cut corners in order to turn out larger numbers of more quickly produced instruments due to the influx of cheaper instruments from Germany. Along with an economic downturn affecting Europe, this affect increasingly impacted on the quality of Italian violins across the generations in general with only a handful of makers adhering to the highest values of craftsmanship that the great names of the golden age of Cremona established.

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By WhatGo – According to their reputation, the quality of their sound has defied attempts to explain or equal it, though this belief is disputed. The name “Stradivarius” has become a superlative often associated with excellence; to be called “the Stradivari” of any field is to be deemed the finest there is. The fame of Stradivarius instruments is widespread, appearing in numerous works of fiction.

Is This an Old Violin, an Old Violin or a Fake Old Violin?. By Diane Bruce. We frequently receive phone calls about “old” modern violins. It’s understandable. To most people, anything over 5 years is old – cars, television, and grandma.

Notes The name of one man, Emile Berliner, is outstanding in the industrial milieu at the end of the 19th century,” unequivocally states the Museum Phonographen Grammophone in a biographical note about Berliner. Every home business and institution in the world depends upon innovations wrought by Emile Berliner. His contributions to public health won national recognition. His philanthropies were considerable.

Yet only one, far from complete, biography was published on this remarkable man, a genius whose inventions had a major and permanent impact upon the burgeoning industrial society. The foreword to the book was written by none other than Herbert Hoover, then renowned as an engineer, statesman and humanitarian.

Stradivarius Violins

All the bellies were made of Norway spruce Picea abies. The dating of each violin was given as a calendar year end date , as is usual in dendrochronological reports. We demonstrate how to interpret such reports in terms of age, origin, producer and authenticity of the instrument. Six violins were made by a known violin maker in Slovenia, who provided reliable information on the source of wood as well as on details on the wood processing.

I was given a Hopf violin for my birthday 4 years ago. Original Hopf violins were handmade and are the most valuable. Remakes were also made, but were produced in factories.

Guardian film of the week: The Red Violin Sex and violins Francois Girard’s movie is obscure, bitty and has a violin as its lead character. It has an international cast, a storyline spanning four centuries, and dialogue in five languages – English, Italian, German, French and Chinese. It’s also unashamedly a film about high culture, about classical music and its myths and values.

And its central character is a violin. The Red Violin may not be an unqualified success, but as flawed movies go, it’s elegant, entertaining and quite breathtakingly ambitious. Canadian director Francois Girard is a classical music specialist whose first feature, Thirty Two Short Films About Glenn Gould, was just that – a portrait of the great pianist that came in disconnected fragments, from chunks of parodic biopic to inventories of the pianist’s favoured medications.

Girard’s follow-up is equally bitty, although ostensibly more traditional. It’s effectively the biography of a musical instrument – not just any instrument, but “the perfect acoustic machine,” as Samuel L Jackson’s urbane expert puts it, “the ultimate Thing”. The film follows this prodigious object of desire from its birth in 17th-century Cremona to the present. The conception sounds downright corny, a thin excuse for a portmanteau of yarns based around a single object – a conceit that usually lends itself to ungainly all-star packages like The Yellow Rolls-Royce, a mish-mash of everyone from Omar Sharif to Joyce Grenfell.

Hopf Violin

Their output was varied in quality; more to satisfy the demands of the players and the limits of what they could afford and the current desire to have an instrument styled on the instruments made by Jacob Stainer. The lure of London however encouraged three members of the family to establish their livelihood in the capital city, away from Cumberland and the small village of Brampton. Patronage and a good income were available to those makers of merit!

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Curator’s Corner History Perfected in the very late 17th century, the violin is the most ubiquitous antique object form in our daily lives. It is the principal melody instrument in symphony orchestras and mountain string bands. It has not been improved since the s when Stradivari, Guarnieri, Amati and a dozen others worked in Cremona, Italy. Fine violins were also made in England, France and Germany. As everyone knows, the instruments made in Cremona fetch fabulous prices at auction.

Everyone who finds an old violin thinks that he has a fortune in his hands because it generally has a Stradivarius label in it. It stands to reason.

Andrea Postacchini

Ancient Egyptian tomb painting depicting lute players, 18th Dynasty c. Lute player far right. The origins of the lute are obscure, and organologists disagree about the very definition of a lute.

Violin Family Instruments I am not an expert in violins. I know a lot about them and most other musical instruments in general, but when it comes to any specific instrument, I can’t tell you much about it .

At the time, despite an enviable repertoire and historical record, no English examples were known. As a result, the business of authenticating what turned out to be the only known English example involved producing comparisons from an enormous field of different instruments made around the same time. By using a forensic nexus of comparable instruments it was possible to provide a compelling identification of the cittern within a demonstrably English context.

None, it transpired were violins. A wonderful piece that ended up in the Metropolitan Museum of Art. That would have been prize enough, but the next instrument to reveal itself took my breath away.

World War II and the Rise, Fall, and Resurgence of Violin Making in a Tiny Corner of Germany

Share 94 shares ‘The first violins were not intended as solo instruments. They served as accompaniment to songs and dances. Others played in the study were from the Stradivarius family, conceived by Antonio Stradivari, who improved upon Amati’s design. Then, they recorded the voices of eight men and eight women, ranging in age from 16 to 30 years, singing common English vowels.

Dating of violins – The interpretation of dendrochronological reports. The most significant statistical parameters of dating, obtained with German local chronologies and instruments, supported the opinion of experts that this instrument was probably made in a German workshop. The dating of all six violins was only possible with a.

Paid dating sites Dating german violins – The Cutest German Towns to Visit Bavaria, Germany’s largest state, lies dating german violins the southeast corner of the country and is bordered by Austria and the Czech Republic. With an amazing list of credits to his name, he has managed to dwting. I have always admired violins that are non-standard. Here are 10 of the cutest German towns to visit.

While the big cities of Germany might be popular, it’s the small towns that have the real charm. For some years inscribed his name as Aachner derived from. One of Germany’s most popular tourist. For years Daying have been trying to come. It may be they are a refreshing diversion from the glut of normal violins.

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